Download A Creative Approach to Music Fundamentals, 10th Edition by William Duckworth PDF

By William Duckworth

The world over well known composer William Duckworth covers tune basics in 14 concise major chapters supplemented through eleven enrichment appendices, providing prolonged insurance in the event you wish extra guideline.

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Extra info for A Creative Approach to Music Fundamentals, 10th Edition

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This is the distance from any key to the key immediately above or below it. The following example shows the three situations in which half steps can occur: (1) between a white key and a black key, (2) between a black key and a white key, and (3) between a white key and a white key. Notice that the third possibility, between a white key and a white key, appears in only two places in each octave—between E and F and between B and C. As you look at this example, remember that an interval is the distance between two notes.

In piano music, the notes on the treble staff are usually played by the right hand, and the notes on the bass staff are played by the left hand. As shown in the following example, the location of middle C indicates which hand is to play it. In choral music, the location of middle C indicates which voice should sing it. For practice identifying notes on the great staff, see Practice Materials 1-5. The Keyboard When you first begin to learn music theory, it is enormously helpful to know your way around the keyboard.

Remember, the reason we beam notes together is to make the rhythmic patterns easier to recognize, not more difficult. Extra care must be taken when beaming irregular divisions of the beat, particularly dotted rhythm patterns, because these can be especially tricky. First, try to determine where each basic beat begins. This is more or less a process of adding up the note values. Then, combine groups of notes so that each basic beat is beamed together. Make sure, however, that you do not combine two beats into one group.

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